John Lennon, the Stones and keeping your fire engine clean

Strange days indeed. The words are a chorus to a John Lennon song called “Nobody Told Me.” I heard the song a lot in the late 80s and even remember it being one of the songs played by United States psy ops (psychological operations) soldiers who were trying to roust Panamanian dictator Manuel Noriega from his sanctuary during “Operation Just Cause” in 1989.

John Lennon reheases "Give Peace a Chance." -- Photo by Roy Kerwood courtesy of Wikipedia Commons

Those were strange days indeed. So was the time around December 8, 1980, when I sat in my recliner in the shotgun shack I rented on “Tobacco Road,” studying for some test in college. I didn’t have a television back then but it seems as if I had Monday Night Football playing through my stereo receiver. Or perhaps I was just listening to the radio. I don’t know. I tend to think I was listening to Monday Night Football while studying, definitely a no-no all the experts say. But nevertheless, I heard the announcement that John Lennon had been shot and killed outside his apartment in New York. I think my friend Suzie, who worked as a dee jay back then, called afterwards. I’m not sure. But it was such a loss.

In the world of rock music, one’s taste often comes down to the choice: Beatles or Stones? Definitely the Beatles, back then at least. I had grown up, well at least into my early-to-mid 20s, listening to John, Paul, George and Ringo. Isn’t it funny you hardly ever or even never hear “Paul, John, George and Ringo” or even “George, Ringo, Paul and George?” There is a reason for that. Or you never heard Pope John Paul George and Ringo for that matter.

Sometimes a song takes you to a particular point in the time of your life. It doesn’t have to be a new song. Maybe it was just playing when something memorable took place. Such as when I was getting ready to take a taxi to the Houston airport for Chicago and boot camp. An instrumental version of “Here Comes the Sun” was playing on the TV at the induction station. Or, for another example, a chilly day staring out the port hole at the rough seas somewhere off New Zealand, sometime around Thanksgiving, as I listened to “While My Guitar Gently Weeps.”

I never saw the Beatles. I did see the Stones, or was at least in the Superdome as they performed way, way below from where we sat in the cheap seats. Nonetheless, we got a good look on the gondola TV thing-a-majig.

"Send me dead flowers in the morning ... " The Rolling Stones 2006. Photo courtesy of Wikipedia Commons by Charliecorgan.

Still, it was at some undefinable time later on that I became a Stones person. The words to songs with teeth grabbed me such as “Sympathy for the Devil,” or “Gimme Shelter”  or the early 70s, Gram Parsons influenced “Dead Flowers” much more than the often whimsical or outright nonsensical melodies of the Beatles. That isn’t to say the Beatles, and especially Lennon, lacked poignancy in their work.

But you look back, especially at the early hits of the Fab Four, and see their genius for great melody and pop tunes. I’ll play “From Me to You,” released in 1963, and hear a spectacular pop song meeting rock. You might hear it an elevator today or on a Target commercial and if you don’t know the Beatles might say: “What a pretty song. I wonder who does that?”

Really, it isn”t fair to put the Beatles and Stone up against each other. I can often identify with the “World can be a pretty hard place at times, so f**k it,” attitude of Mick, Keith and the mates. But I also need a simple pop piece such as “I Want to Hold Your Hand” or something funny like “Mean Mr. Mustard” to help lead me from the hard edge.

And John Lennon on his own was something else, literally. He was the rock n’ roller, as exemplified in his tribute to late 50s and early 60s rockers on the Phil Spector produced “Rock ‘n’ Roll.” He did justice to songs such as Ben E. King’s “Stand by Me.” Lennon also made some of the most memorable of the protest songs such as “Give Peace a Chance” and “Power to the People” even though the era of anti-war protest was beginning to wane. His song “Imagine” is a wonderful, imaginative song and incredibly naive just as the young need sometime be.

Lennon’s “Double Fantasy” album, released near the time of his death was not a critical smash yet after his murder it seemed the world seemed desperate to grab one last piece of the “John” of “John, Paul, George and Ringo.”

Once again, I started to write just a bit and I end up telling whomever will listen my impression of John Lennon in life and death as well as my inability to simply answer a simple question such as “Beatles or Stones.”

Well, that answer is of course, the Stones. But then the Beatles are in a category all their own, as is John Lennon.

I don’t remember the test I took the day after Lennon was murdered. I do remember  working at the fire station the next day. For some reason, I had this strong inclination to go wash our fire engine. You know, Penny Lane? Likes to keep his fire engine clean, it’s a clean machine … ” Well, that’s more McCartney, but you get my drift don’t you?

Benefit for a music legend

It seems like every weekend here in Southeast Texas you will find people staging some kind of benefit for some struggling soul. It may be barbecue for sale, or a fish fry or a dance held at a local VFW, K of C or honky tonk. I guess we are no different from anywhere else, but people down here certainly have good hearts when someone is in dire straits.

So many benefits are there that one just pretty much has to pick the one which most tugs at your heart strings. If I were going to a happening this weekend to help out a fellow Southeast Texan, it would be the benefit being held in downtown Beaumont at Crockett Street for a man whose music has brought me unmeasurable pleasure — Jerry LaCroix.

I’m sure people in some parts of the World and the U.S. of A. and even Southeast Texas have never heard of this man. Some down this way might even say: “Just another coonass.” Well, while LaCroix may have the Cajun blood of a true “coonass” he is far from “just another anything.” At one time this singer, song writer and extremely talented musician, dynamite sax player, fronted two legendary bands of the late 60s and 70s, Rare Earth and Blood, Sweat and Tears. Those older Boomers from the  crossroads of Texas and Louisiana remember LaCroix by another name: “Jerry ‘Count’ Jackson,” who was one of the tornado-like forces behind the group that married swamp pop and blue-eyed soul. That band was the Boogie Kings.

I grew up listening to the music of the Boogie Kings as well. That is because my older brothers as later did I, had to drive across the Sabine River into Louisiana to pursue a little entertainment accompanied by an adult beverage. Some or perhaps all of my older brothers at one time or the other might have heard the Boogie Kings. When the laws changed to where 18-year-olds could buy liquor in Texas — that changed again some 10 years later — I was still at the Texas Pelican in Vinton, La., watching the magic  revolving bandstand take one group off for a set while another band came on. One of the bands I heard there a couple of times was fronted by Jerry LaCroix, no longer Jerry Count Jackson or a Boogie King. He was then lead singer of White Trash.

The band was originally Edgar Winter’s White Trash. Beaumont native Edgar Winter, whose brother Johnny was “making the big-time” as Edgar sang on their debut album, teamed up with LaCroix for some truly amazing fusion of rock, R & B, and just plain down home Texas-Louisiana soul. Their live album “Roadwork,” included Johnny’s guitarist Ric Derringer doing Chuck Berry proud on the Chuckster’s “Back in the U.S.A.”

I saw Jerry at several Boogie King revival gigs in later years. His long hair and beard turned white exemplified the newest model of a rocker and blues guy who never sat too long to change into anything permanently but himself. Once I even interviewed Jerry for a local newspaper prior to a show featuring the old Boogie Kings, including Jerry Count Jackson’s soulful singing partner G.G. Shinn.

Journalists aren’t supposed to get all comfortable and chummy with their subjects. But a bunch of us were sitting around having a few cold ones about a decade or so ago at the 9-hole Port Groves Golf Course clubhouse in Jerry’s hometown of Groves, Texas, while Jerry held court. He has lived a lot in however many years he’s been around now, with most of those years being a musician who has played in the smallest of tonks to huge concert halls both in the U.S. and abroad.

Jerry LaCroix was never a big star. But he has managed to live his life making music and making people, like myself, happy while doing it. People who are stars in our eyes, like Jerry, normally don’t have a good insurance plan unless its working out of one of the union halls. Regardless, Jerry now has some health problems — congestive heart failure — which is not the same as a heart attack but still can be a very serious and debilitating disorder.

Thus, the reason why a bunch of folks are getting together to play music and serve some gumbo and barbecue. Local blue-eyed soul and swamp pop legends T.K. Hulen, Charles Mann, Jivin’ Gene along with G.G. Shinn will be playing at the former Scout Bar and Antone’s on Crockett Street. The money raised will go toward helping the the expenses and medical bills Jerry has incurred. I’m sure there is a way to donate if you can’t make it to Beaumont, Texas on Sunday afternoon. Don Ball is listed as a contact for more information about the benefit (409) 548-4444. Jerry’s official Web site also lists his e-mail as well as snail mail addresses.

Friday. It's okay. Sunday and in Ft. Worth? Check this out!

Friday. What a concept.

I once lived for Friday to arrive. That is when I worked, roughly, five days a week. My record on such a schedule was rather spotty up until the last 20 years or so. That is, if you don’t include those four years I spent in college, during which time I mostly worked full time at a rate of 24 hours on and 48 hours off, which was a 56-hour work week. Now there was a concept!

These days, I no longer work full time. Well, sometimes I do and sometimes I don’t. When I do it is usually more than a 48-hour work week. I had no illusions that working as a writer was going to be easy and, sure enough, it hasn’t been easy. In fact, I tell people these days that my part-time job “supports my writing habit.” I’m not lying much when I say that.

Still, I remember Fridays. My friends Robbie, Judy, sometimes Tonya, Brenda, Delia, Rick, Beth or whomever. Mostly Robbie, Judy and I — the Yellow Dogs. Long story. We’d go one place or the other for a margarita. Sometimes Judy’s artist husband would meet us and he and I would design water towers for small cities which looked like a large margarita glass, except it would be leaning. Like Pisa. Those were good times. Sometimes we didn’t even wait for Friday. Sometimes it would be a Yellow Dog Day — a day I’d describe as comparable to a day you’re sitting back watching the evening news and see your name as a camera pans down a lawsuit. Yikes!

I’m such a ham. I wasn’t going to write about much and already look what you’ve done.

Okay, I will do some good for a change on this blog instead of writing about politics or the weather or the craziness that passes for life. I will promote my old buddy Jonathan’s gig in which his trio, the Jonathan Sanson Trio will be recording a new, live CD. Jonathan just sent me an e-mail about it, albeit a mass e-mail, that’s what you do when you are a famous recording star in Fort Worth. Right, old buddy?  Just busting your chops. I was going to buy some chops for dinner, but I didn’t. So right now, I’ve got no other chops to bust. So you’re it, pal!

The Jonathan Sanson Trio, featuring Dan Tcheco on drums, Chris Carfa on bass and Jonathan on piano and vocals will be recording Sunday, July 25, at Eddie V’s Lounge in Fort Worth. Too bad they couldn’t wait a week, since I will be heading for Denton exactly one week later. Hey, can’t you guys postpone everything for one week, just for me? Yeah, and pigs make scheduled flights between IAH and DFW!

I have heard some of the group’s recordings and I look forward to hearing them live some day. Jonathan and I are old high school chums who lived across our family’s field from each other. Later, we hung out during our military days, he in the Air Force and me a Navy squid.

Jonathan says that everyone attending will get a free copy of the CD the group is to record. The CD will come out, hopefully JS said, in September. The great piano man also reminds everyone of the happy happy hour prices, if you like that sort of thing.

If you mention you heard about this on Eight Feet Deep, Jonathan might buy you a drink or he might garrote you with a piano wire. That’s his call. So if you are in what my friends from that area call “The Metro Mess” during that time, check it out.

This all happens:

6-10 p.m.

Sunday, July 25

EV Museum Place

3100 West 7th Street

Fort Worth, TX 76107

817.336.8000

Open daily at 4:00pm.

Tired? Turn to the obit page.

Three matters bothered me this morning when I traveled to the Houston VA hospital for an EMG, nerve test, on my feet and legs. Nothing that was a bother had anything directly to do with the test.

First I woke at 4:50  a.m. I did so to catch the shuttle van from the local outpatient clinic to the hospital. As it turned out — my being the filling between almost 500 pounds of veteran sandwich in the van ride — my own drive to Houston with morning rush hour traffic and all might have turned out to have been more pleasant had I driven my truck instead. So the hour at which I awoke, the uncomfortable ride to the hospital and dealing with some of the VA’s most accomplished bureaucratic assh**es while trying to work out another matter completely were what made my day much less than perfect.

The EMG itself, performed by a friendly doc with a heavy Latino accent wasn’t really much of a problem at all considering I would get my legs or feet shocked from time-to-time. The shocks weren’t like getting shocked when one grabs hold of a live wire. Believe me. Been there done that — ow, ow s**t!!!

Mostly it was the early morning rise that got to me. Even though I somehow managed to sleep most of the way back from Houston sitting upright in the van, I still feel halfway dead. As such, it is most appropriate that I pay tribute here to a great man whose obituary I noticed today.

Many may not recognize the name Vic Mizzy right off, unless you watched the running gag with the television credits which opened the 1960s TV comedy “Green Acres.”  Mizzy, who died in Los Angeles Saturday at 93, wrote the theme for Eddie Albert-Eva Gabor farce. The Gabor character would make some bizarre comment about the opening credits which would feature Mizzy or other crew’s names, something one would hardly if ever see on any other TV show or movie.

But it was probably another of Mizzy’s TV songs which is more widely known, however, that being the theme of the “Addams Family,” complete with the song’s finger snaps.

True, Mizzy may not have cured cancer or polio, or have won a Nobel Prize (no comment please). But some of his songs help us remember some of the zaniest TV programming that aired during a time that cried out for hilarity, the 1960s. Those themes remain catchy and appealing today.

Snap, snap. Keep Manhattan just give me that countryside …

Did you know it's raining? No but if you could hum a few bars …

 The rain continues, on and off, here in the upper corner of the Texas Gulf Coast. It’s been like this for a couple of days. The weather people say we’ve got ourselves a:

COMPLEX WEATHER SITUATION WITH A COASTAL SURFACE TROUGH/WARM FRONT LOCATED OFF THE SOUTHEAST TEXAS AND SOUTHERN LOUISIANA COAST.

 I’m sure that it’s a heck of a lot more complicated than that, but it’s good enough for me. The local weather folks out of the NWS Lake Charles office say that any tropical formation “seems unlikely at this time” and the National Hurricane Center gives this system less than a 30 percent chance for any type of cyclonic activity. But having slept through Hurricane Humberto, which formed two years ago tomorrow, I can tell you that these pesky little systems which stick around in the Gulf and build can jump up quicker than a jackrabbit with a firecracker up its wazoo and commence to giving objects ashore a senseless thrashing.

 So hopefully this — system — will just be a rain event. And in such event, one needs a little background music. For that, I found this Web page compiled by a person with even more time on his hands than I have. He has put together a list of rain-related songs. I will show some he listed a few of mine too, in no particular order, and then you can look at his page and go wild. Stay dry.

A few rain songs: From the “Rain Songs” blog and a few off he top of my head.

  1. Rainy Night in Georgia — Brook Benton
  2. Let it Rain — Derek and the Dominoes (Eric Clapton)
  3. Rainy Night House — Joni Mitchell
  4. It Ain’t Gonna Rain No Mo’ — Folk song
  5. I Can See Clearly Now (the rain is gone) — Johnny Nash
  6. Blue Eyes Cryin’ In the Rain — Willie Nelson
  7. Fire and Rain — James Taylor
  8. Candles in the Rain (Lay Down) — Melanie (Safka)
  9. Raining in My Heart — Slim Harpo
  10. Thunder Island (about being caught in the rain while … ) — Jay Ferguson
  11. Have You Ever Seen the Rain? — Creedence Clearwater Revival
  12. A Hard Rain’s a-Gonna Fall — Bob Dylan (not the kind of rain you’d want)
  13. Here Comes the Rain Again — The Eurythmics
  14. Rainy Day Woman — Waylon Jennings
  15. Who’ll Stop the Rain? — Creedence Clearwater Revival
  16. Rainy Day Women No. 12 & 35 — Bob Dylan
  17. Texas Flood — Stevie Ray Vaughn
  18. Louisiana 1927 — Randy Newman
  19. When the Levee  Breaks — Led Zepplin
  20. It Never Rains in Southern California — Albert Hammond

Of course, there are tons and tons of rain songs. It would seem people write almost as many songs about rain as they write about love. And of course there are those songs which have to do about loving in the rain (“Thunder Island”) and loving the rain (“I Love a Rainy Night” by Eddie Rabbit, which is not listed above because I don’t particularly like the song.) I am not a big fan of No. 20, about it never raining in So. Cal. either. I listed it because I was sitting somewhere to avoid a August 1977 rainstorm in San Diego where I heard on the TV playing there that Elvis had died. I thought about the irony of the Albert Hammond song and it raining like hell as I found out the King was dead. Oh, and there’s Elvis’s “Kentucky Rain.” It was an okay song, but I liked his much older stuff better.

 Oh well. Here is music to drown by. Just don’t drown.