Man, there are Cajuns everywhere!

Yesterday I was waiting to have my name called for a nurse visit at the Beaumont (TX) VA Clinic. I listened to the cacophony of people’s names shouted out by folks in Primary Care mixed with those attempting to yell louder from the laboratory or X-Ray for patients. Soon, it hit me like a ton of boudain. This place has Cajuns up the wazoo.

A nurse would yell for “Mr. Breaux.” Then someone would holler “Mr. Led-ger,” her pronunciation for a Mr. Leger, which is most times spoken as “Lay’-jhay.” With those folks found, on the intercom came “Mr. Melancon please go to the pharmacy.”

I suppose I had me what us pseudo-intellectuals like to call an “epiphany.” I don’t know what my Cajun friends might call it, maybe an “epiphany.” Me, the pseudo-intellectual might say: “I had an epiphany this morning but I lost it in a paradigm shift.”

The northern part of Southeast Texas is where I was raised. I now live in Beaumont — the largest city in Southeast Texas if you don’t consider Houston as Southeast Texas — by way of Mississippi, the Western and Southern Pacific, as well as East and Central Texas. Now I must clarify the terms “East Texas” and “Southeast Texas.”

Folks down here in deepest Southeast Texas consider Jefferson, Orange, Newton, Jasper and Hardin counties as Southeast Texas. Okay, maybe even Tyler County. Now if you extend the boundaries of Cajun Country from the most southwestern Louisiana parishes into Orange and Jefferson counties, one might have to say the boundaries of Southeast Texas also include Calcasieu and Cameron parishes. Of course, we are talking cultural boundaries here.

I had a chief petty officer from Dallas who was master-at-arms, kind of like the head of the security guards, when I was stationed in Mississippi. We would argue to no end about what was and what isn’t in East and Southeast Texas. I said I was an East Texan. Because we didn’t have alligators and chemical plants where I grew up. But the chief said, “No that country is Southeast Texas.” After all these years, I have to say the chief was right (as always.) If geography didn’t make me a Southeast Texan, then I suppose demographics finally did.

We didn’t have many Cajuns where I grew up in northern Southeast Texas. Oh there were Cajun folks there. I had some good friends whose grandma spoke Cajun French. That was pretty exotic though. What happened was that some of the crackers in South Louisiana who saw the Cajun people as some kind of second-class folks. The Cajuns weren’t even  allowed for many years to speak or learn Cajun French in school. Then in the late 60s, a cultural revolution that hit the rest of the country came to Louisiana. And, in the intervening years, many Cajun folks had moved to Southeast Texas, for jobs related to the petrochemical industry and shipbuilding. The latter being mostly during World War II and the former after the war.

When I moved back to the Golden Triangle — Beaumont, Port Arthur and Orange — I had to learn to pronounce many of the Cajun names I didn’t otherwise know. Why names like “Thibodeaux” and “Fontenot” (“the place is buzzing,” ‘ol Hank Williams sang.) take up considerable space in the “Greater Beaumont Area” phone book. Along with names like Chavez, Hernandez, and others I tried to correctly say I have somehow become at least partly apt at taking a spoonful out of the ol’ melting pot.

Some 40 years ago, I didn’t even know what boudain was, much less pronounce it. I remember when Mr. Latiolais (pronounced by him as “Latch’-o-lay,” some others with that name have different ways to say it) came to town and opened his supermarket called “Latch’s.” That was my first exposure to boudain and I fell in love even though some say “Ecchh” or “Nasty stuff.”

I have seen the Cajun culture grow in Southeast Texas, and around the country and even the world. Of course, we are part of Cajun Country even though we are Texans. So, yeah, there are quite a few Cajuns here. I am glad there are. I couldn’t imagine a world without Cajun cuisine or Cajun waltzes or Zydeco music. I know both states come with its baggage. Some of those first bags were made of carpet and we still see those types though they hide their bags. But this area of the country has become a much richer place to live.

 

 

Work, no work, there’s always a song

Today’s theme is “laziness.”

As some of you know I am furloughed from my part-time — which might as well be my full-time — job. You might guess why if you don’t know and may just come up correct.

A friend just sent me a text saying he received his partial check — he’s full-time — and it hit him that the furlough was real. And not real fun. Well, what do people do when they feel the despair of unemployment? They drink. Well, some do but drinking is for good times so you will wake up feeling bad the next morning. Or else, drinking is for boredom, of which there is plenty of boredom in unemployment. What I was going for was music. Music soothes the savage beast and takes you to, hopefully, a better place.

So I am presenting my top 10 songs for unemployment. Some might make you feel better about unemployment, some may make you psyched about going back to work — if and when that comes — or it will bum the crackers out of your arthritic neck. A note here about the songs. I am not placing which is my favorites from 1 to 10 or 10 to 1 or 5 to 1 and 10 to 5. That would be a lot of work for something which I am not getting paid. I also am not linking the songs to You Tube. I could do that. But all you have to do is copy the song, put it in search along with the words “You Tube,” and you will be likely to find it. Really, I could do all that since I am unemployed temporarily but I think I will just instead sit around and listen to the music. What a putz, huh?

Get A Job – The Silhouettes 1957

Working Man – Rush 1974

Working Man Blues – Merle Haggard 1969

*Carmelita – Warren Zevon 1976

Workin’ For A Livin’ – Huey Lewis and the News 1982

Banana Boat Song – Harry Belafonte 1956

Maggie’s Farm – Bob Dylan 1965

Bang The Drum All Day – Todd Rundgren 1983

Two More Bottles of Wine – Emmylou Harris 1978

9 To 5 – Dolly Partin 1980

 *Technically, this song is not about working or specifically regarding the state of unemployment. Instead, it’s about the pain and suffering of heroin addiction. It just goes without saying, after listening to the song, that the narrator does not hold steady employment.

To my brothers and sisters who are furloughed, I wish you the best. Here comes the weekend and maybe better things will come soon. So relax. Take the rest of the day off. LOL, as we say online, meaning “laugh out loud.” Or is it lemon or lime?

Idle hands, bad songs. What a natural fit.

Sitting here on Day 2 of America Held Hostage (I know, it’s a rip-off of the ABC series of the same name during the Iran Hostage Saga) I cannot stay perpetually glum and pissed off that I am out of work because the government is shut down. Or maybe it should be pissed off and glum. Who gives a rats ass anyway? So I decided to compile a list of terrible songs. Now I know many of these have found their way onto the Internet. It is surprising to find what some folks thing of as bad songs while millions of others buy these songs and their albums or CDs off the wall.

Some people think the Eagles’ “Hotel California” is bad. I think a lot of the dislike stems from what certain listeners believe are excessively cryptic lyrics. Examples: “Her mind is Tiffany twisted.” While some imagined a spoiled Valley Girl named Tiffany twisting some poor soul’s head, the reference is to a famous jewelry shop. In other words, the wealth that allows the woman who “drives a Mercedes-Benz” to shop in the glamor of such places as Tiffany’s. Also twisting some minds was the line: “Warm smell of colitas rising up in the air.” I think it was later explained by Don Henley or one of the other band members that “colitas” referred to a marijuana bud although folks had many other interpretations. One particularly hilarious meaning appeared in the early Internet days:

“There was this fireworks factory just three blocks from the Hotel California . . . and it blew up! Big tragedy. One of the workers was named Wurn Snell and he was from the town of Colitas in Greece. One of the workers who escaped the explosion talked to another guy . . . I think it was probably Don Henley . . . and Don asked what the guy saw. The worker said, “Wurn Snell of Colitas .  . . rising up through the air.”

Given tastes in music runs in many dimensions, I present My Unfavorite 10 Songs Of the Last Two Centuries:

1. Feelings — Morris Albert. I can’t remember how many bars I visited during my Navy enlistment in the mid-70s, but at least half had this God awful song playing. “Feelings,” I can just imagine singing, “I shot the piano player playing Feelings … ” I once had a trailer park neighbor who I heard playing a solo “Feelings” on a saxophone. Fortunately, he was a nice guy and I didn’t have to kick him in the nethers.

2. Havin’ My Baby — Paul Anka. I like Anka and many of his songs even though many of the songs I like are really by Neil Sedaka and not Paul Anka. It just somehow doesn’t sound right, “Havin’ My Baby,” as if Anka was ready to pop.

3. You Light Up My Life — Debby Boone. It might have been a good song for all I know. It just remembers me of a lonely birthday night in Guam during which I heard this young woman practicing this song over and over and over … “You make me sick, you make me die, you light up my gun …. “

4. We Built This City — Starship. Now I am a long-time fan of Jefferson Airplane and its parts and evolutions, Jefferson Starship, Starship, Grace Slick. Real hippie music. I also like singer Mickey Thomas, particularly his Elvin Bishop Group hit “Fooled Around and Fell In Love.” But there was something disquieting about “We Built This City.” When my friend Warren and I pal-ed around after graduating from college, we would hear the song on the radio or in the bar and I would always join in: “We built this city. We built this city on a garbage dump … “

5. Funky Town — Lipps Inc. This disco-esque electronic tune made me want to destroy any electrical implement handy.

6. Those Were The Days — Mary Hopkin. Not the happiest song to begin with, this was a song sad enough to make puppies cry. My Dad, a very bizarrely comedic man, would tire of the repeated ending saying that it sounded as if it should say: “Turn it off, turn it off, turn it off … “

7. Sukiyaki — Kyu Sakamoto. The first hit Japanese record (and maybe the last) presented a pleasant-enough tune but the words sort of defeated its purpose. If this isn’t bad enough, the title as I later discovered, had nothing to do with the song. Kind of like my headlines do here sometimes. The title, which bears the name of a Japanese hot-pot dish, was a translation that said one columnist: ‘like issuing the title Moon River in Japan as Beef Stew.’ “

8. Ice Baby Ice — Vanilla Ice. Just the concept of Vanilla Ice, the white rapper,  is confounding.

9. I’m Too Sexy — Right Said Fred. I’m too sexy for my own good. That’s what this annoying song implies. I’m too sexy to listen to this crap.

10. Last Kiss — J. Frank Wilson. I suppose I should be happy for any artist from my home area of East Texas. But this Lufkin native perpetuated the dreaded “tragedy tune.” You know “Teen Angel” “Leader of the Pack.” “D.O.A.”  “Where oh where can my baby be, the football captain took her away from me … “

Well, there is more. But the longer this damned lockout goes on, the more idle hands in the Devil’s Workshop.

I’ve never been to Canada but I kind of like Hoyt Axton’s music

Web surfing can be quite a learning experience provided one does not take every sentence as fact. Likewise, surfing the WWW provides sort of a spontaneity that I like as a writer. This is exceptionally true since I hardly ever write under deadline these days. It was just a few moments before deciding upon what subject, or person in my case, I would write. And Ta-DA! It is Hoyt Axton.

My selection of singer, songwriter and actor, the late Hoyt Axton, came some 30 minutes after reading about  Canadian musicians. Let me make it clear, Hoyt Axton was not a Canadian. He was in the U.S. Navy, which has nothing to do with Canadian musicians except for the fact I remember one stormy day on the Pacific hearing the sea chanty-like “High And Dry” recorded by Canadian folk-king Gordon Lightfoot. Okay time for me to focus.

Hoyt Axton. U.S. Navy in the early 60s. From hoytsmusic.com. Hope I don't get sued for using this, but great site if your looking for Hoyt Axton info.
Hoyt Axton. U.S. Navy in the early 60s. From hoytsmusic.com. Hope I don’t get sued for using this, but great site if your looking for Hoyt Axton info.

Axton was born in Oklahoma. That fact likely had some kind of unconscious guidance in my clicking on Axton’s Wikipedia page. You see, I had intended starting my post about musicians from the Great North with something like: “Well, I never been Winnipeg, but I kind of like the Guess Who … ” That paraphrases one of many popular Axton songs which were recorded by other artists. In this case, “Never Been to Spain,” released in 1971 by Three Dog Night.

In reality, I’ve never been to Red Deer, Terrace or a Medicine Hat, places in western Canada mentioned by the popular rock group The Guess Who from Winnipeg, in the song “Running Back to Saskatoon.” I’ve never been to Winnipeg or Saskatoon either. Nor anywhere in Canada for that matter. Okay, I’ve strayed off track here again, damn it.

I admired the versatility in songs Axton wrote. I suppose he came by that honestly since his mother, Mae Boren Axton, was known as “The Queen Mother of Nashville.” She co-wrote the initial Elvis Presley hit “Heartbreak Hotel.” Other of hit songs by Hoyt Axton included tales of his own struggle with cocaine addiction. It took quite awhile for me to grasp that Hoyt Axton wrote the anti-drug hard rock songs “The Pusher” and “Snow Blind Friend,” both recorded by Steppenwolf. Axton also penned the lighter but still anti-coke “The No-No Song,” which he recorded but was made famous by solo ex-Beatle Ringo Starr.

Though anti-cocaine, Axton apparently took up pot at some time. He and his wife were arrested with a little more than a pound of reefer at his home in Montana. His wife supposedly later chalked up the drug usage as a means to help control stress and pain Axton suffered after a stroke in 1995. They were, according to his Wikipedia site, fined and given deferred sentences.

The identity of Hoyt Axton may have also been uneasily grasped because his early songs were of the folk genre. He wrote “Greenback Dollar,” for example, which was a hit for the Kingston Trio. Acting, as well, came early in his career. Axton often played a folksy-type character in TV shows ranging from Bonanza and WKRP in Cincinatti. He also had big screen credits, among them the 1984 horror-comedy film “Gremlins.”

Axton sang in a distinguishing baritone-bass voice which were easily noted in his few hit records. Those songs included “Bony Fingers,” the Top-40 country duet with Linda Ronstadt “When The Morning Comes” and my favorite “Della and the Dealer” (and a dog named Jake and a cat named Kalamazoo.)

He died in 1998 at the young age of 61 after never fully recovering from his stroke.

Oh, he also wrote “Joy To The World” likewise made famous by Three Dog Night. Just to bring something a bit less heavy to the end. Although, in reality, Hoyt Axton brought plenty of joy to the world in his music and other artistic endeavors.

Like Axton in life and song — again “Never Been To Spain — I have been to Oklahoma. I’d also like to see Spain someday and definitely would like to visit Canada. I hear they have some good musicians up there.

Have mercy. Been ridin’ on the bus all day …

This is Post #2,400 for the ol’ EF’enD. But no time to celebrate boys and girls, cause I got a bus to catch. Tomorrow. Going to Dallas on that ol’ Greyhound. That means a ride from Beaumont->Houston->Dallas–>Catch that ol’ DART Red Line light rail to Arapaho station–>Then catch a ride with my amigo to Frisco. Hot Damn (or not.) What that means is I will be sitting on my ass a lot tomorrow. Start the music boys:

http://youtu.be/MDEHZNirvF0

No infringement is meant here. First and last, if you don’t have this album, go out and get it. I mean the vinyl. Doesn’t matter even if it’s scratched up a little, in fact, that’s the way it should be played. And loud. Make the fine China dance up and down on the dinner table of those pretentious metrosexual assholes upstairs above you.

This song reminds me of my younger days. A long-haired punk riding the bus to the AFEES in Houston for a physical for the Navy and a ride back to Kirbyville where somebody picked us up. Oh I’d be back to that old AFEES, entertain the thought of going AWOL to see Crosby, Stills Nash and Young, but go ahead anyway, crawl in a big yellow taxi for Houston Intercontinental Airport, now known as Bush Intercontinental, for Old Man Bush.

Riding the bus all day or waiting for the bus all day. One kind of blends into another. That’s why this “Waiting for the Bus All Day,” by ZZ Top, which merges effortlessly into “Jesus Just Left Chicago,” is so appropriate for the po’ man traveler. Nowadays, you have to be really broke (which I am at the moment) or you are some kind of nut, and or outlaw, to ride the bus.

ZZ Top’s been with me for 40 years or more. They sing a kind of multi-racial blues that black, white, brown, it doesn’t matter, you know?

So here is to ZZ Top and to that long bus ride tomorrow.